YAMAHA AG03MK2 STREAMING MIXER WHITE

€189.00

AG03MK2 Live Streaming Mixer

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Description

Your Audience Awaits.

With its variety of inputs and outputs, DSP effects, and LOOPBACK function, the original AG03 quickly established itself as a staple amongst live streamers looking to configure a simple yet comprehensive setup without compromising on sound quality. The next generation AG03MK2 adds more flexible connectivity including 4-pole mini I/O expanding the range of streaming styles, as well as a new mute button crucial for various live streaming applications. Along with improvements in build, design, internal circuitry, and overall sound, the MK2 will further solidify the AG series as an industry standard that all others will be compared to.

A 3-channel live streaming mixer with USB audio interface.

  • 60 mm faders for mic CH1
  • +48 V phantom power on CH1 input for condenser mics or Dl boxes
  • Hi-Z input for guitars on CH2
  • High resolution (24-bit, 192 kHz) 2-track audio recording and playback
  • 4-pole mini input/output (TRRS) to support a wider range of streaming applications
  • Flexible inputs and LOOPBACK function ideal for live streaming or recording
  • Mute button for convenient live streaming
  • Easy control and pro sound with Amp Simulator and 1-TOUCH COMP/EQ, REVERB
  • AG Controller (Windows/Mac/iOS) for precise parameter control
  • Windows/Mac support by USB-C connection
  • iOS connectivity via Apple Camera Adapter (requires external USB power supply)
  • Android supported by 4-pole mini input/output (TRRS)
  • USB-C power input (5 V DC, 900 mA)
  • Cubase Al, WaveLab Cast, Cubasis LE and Rec’n’Share are available
  • “OBS Certified” device. Provides seamless streaming experience with OBS Studio.
SKU: AG03MK2 W Categories: , Tags: ,

Specification

AG03MK2
Input Channels Mono[MIC/LINE] 1 – Combo (Mic, +48 V phantom power / Line), 3.5 mm (1/8″) stereo mini (Headset mic, Plug-in power) *CH1 input and Headset mic cannot be used simultaneously
Stereo[LINE] 1 – Stereo Line / Guitar Input (Mono)
Smartphone 1 – 4-pole mini input/output (TRRS)
USB 1
Output Channels PHONES 1 – PHONES / HEADSET PHONES *Cannot be used simultaneously
Smartphone 1 – 4-pole mini input/output (TRRS)
MONITOR OUT 2 – L/R Stereo: Phone, RCA
USB 1
Bus 1 Stereo
Functions MUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)
On-board processors DSP COMP/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller
USB USB Audio 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power input 1 – Type-C, 5 V DC, 900 mA
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5 W
Dimensions W 126 mm (5.0″)
H 63 mm (2.5″)
D 201 mm (7.9″)
Net weight 0.8 kg (1.8 lbs)
Included Accessories USB2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others Operating Temperature: 0 to + 40 ℃

Delivery Information

Delivery

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Unless otherwise advised, delivery will be made by a fully-insured courier service, within normal business hours. A signature at this address will be required.

The charge for delivery will be shown at the final checkout stage before final submission. Unfortunately X MUSIC IRELAND LIMITED cannot guarantee delivery times or dates. The delivery charge shown is a standard charge and does not constitute a guarantee of delivery date from the time you have placed an order.

All delivery times and dates are subject to stock availability in Head Office, the backlog of orders, and Weekend or Bank Holiday exceptions. Unfortunately X Music Ireland Limited can in no circumstances, therefore, compensate for delayed orders.

Damages/shortages must be notified within 3 working days of delivery.

This does not affect your statutory rights.

Irish Orders with a value of over €199 (€200 +) are shipped free of charge unless otherwise stated. Some goods like digital pianos may incur an additional cost. Please see your cart at the time of purchase.

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